The rhythms of prose are more complicated, though not necessarily more complex, than those of poetry. The rules of prose patterning are less fixed; patterns evolve and shift indefinitely and are seldom repeated except for special emphasis. So the analysis of prose rhythm is more difficult to make than, at least, the superficial analysis of poetry. The craft of writing involves more than mere rules of prosody. The work’s structure must be manipulated to attract the reader. First, the literary situation has to be established. The reader must be directly related to the work, placed in it—given enough information on who, what, when, or why—so that his attention is caught and held (or, on the other hand, he must be deliberately mystified, to the same end).

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