Across his career, there has also been a third, more understated type of Cage persona: the Arthouse Cage. Not that he is ever altogether understated. The same Cage-isms are usually there: the grotesque facial expressions, the unnatural accents, the deliberate physicality. Every Cage performance is a full-bodied one. But these relatively more restrained appearances seem to fit better into our understanding of what makes "good acting": think of his turn as a suicidal alcoholic writer in Leaving Las Vegas

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