Both the formal properties of a window and its mediating role between inside and out have lent this everyday architectural element an arresting power in art. At times, a composition might include a window and the light it allows in, but not its view. Such is the case in Johannes Vermeer's Girl Reading a Letter at an Open Window (c 1657-59), which, after a revealing restoration, is the centrepiece of an exhibition opening in Dresden later this year. The window has also been represented from the outside looking in, and in various mediums. Relatively recent examples include Faith Ringgold's textile and paint Street Story Quilt (1985), depicting an apartment building in Harlem, and Andreas Gursky's large-scale photograph Avenue of the Americas (2001).

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