And so, Brouwn cast her first large bronze Mama sculpture, which was given pride of place on a bench outside the hotel. Swiftly afterwards came a commission from Kura Hulanda Hotel for another Mama. Brouwn's second bronze Mama, while also extremely lifelike, preserves a snapshot of Curacaoan life from the 1980s. "Women in Curaçao used to walk around in the streets with curl pins in their hair and when they went out for the evening, they'd take them out, but you don't see it anymore," she told me.

Keep reading : โรงเรียนวัดนิกรประสาท

Content : เสื้อโค้ท