Effect of jazz to US (24 อ่าน)
Earlier last summer, Newark, the state's largest city and where I work, had a "Jazz in the Garden" performance. This program runs for six consecutive weeks on a weekly basis. "Garden" is the name given to a tiny campus located behind the city library. Admission is three dollars, which goes toward supporting the library, which is becoming more deserted. Three dollars can only buy a hotdog these days, which is insufficient to purchase a hotdog in New York City, but for that amount of money, I can listen to a really exquisite and artistic music program. I used my lunch break to investigate.
The first session featured a saxophone performance. The second session featured a Japanese female artist named Akiko performing jazz on an organ. In a white tent, the stage is put up. On the lawn, there are chairs for onlookers. The garden can easily accommodate 300 people. The song fills the area, at times lovely, at others frantic. Summer in the Northeast features fairly pleasant sunny days with a bright blue sky and a few drifting white clouds. Around the garden, yellow Black-eyed Susan flowers coexist with purple Blazing Star; Tuong Vi flowers in shades of red, white, and pink are densely packed with fragrant blossoms, while ivy clings to the walls. I'm delighted to be experiencing a uniquely American culture in the midst of a flower-filled park with some historic structures dating back more than a hundred years.
To be honest, I have no idea what jazz is. How to tell which music is jazz and which is popular. There were occasions during a performance when people clapped my hands and theirs, although I'm not sure why that piece of music was acclaimed. When members in the audience get engaged, they sway their bodies, nod their heads, touch their feet, or softly tap their fingers on their thighs. Inquiring as to what jazz is is like to inquiring as to what an antique is. It may sound self-evident, yet it is not so simple to explain. When asked to describe jazz, some American music educators frequently respond, "If you have to ask that question, you will never comprehend." That being stated, I feel that a few sketches can assist folks who are not musical specialists but are fascinated about Jazz music, such as myself.
Akiko, a Japanese female musician, delivered the second "Jazz in the Garden" music performance on the organ. She was educated in Japan and has spent the last fifteen years in the United States at the request of several prominent jazz performers. A female band presenting Latin Jazz music performed the fourth performance. The participation of international musicians demonstrates how popular jazz is, not just in the United States, but across the world. The Japanese, who are sealed and have a lengthy history. They must be really enthusiastic about Jazz music and have a sufficient audience to enjoy it for Haruki Murakami, a Japanese author who is quite popular with Vietnamese readers, to start a Jazz club prior to becoming a writer. Murakami attributes a significant effect on the development of his abilities to jazz music. He writes effectively as a result of his exposure to and love of jazz music.
Whether it's music or narratives, rhythm is critical. Your writing style must have a consistent, natural, and consistent rhythm, or your readers will abandon your work. I discovered the significance of rhythm in music - particularly jazz.
Murakami saw his first jazz concert in Kobe in 1964. This live music performance made an indelible mark on his psyche. Murakami credits Charlie Parker's "repeated freewheeling riffs" as well as the natural grace of F. Scott Fitzgerald's prose with heavily influencing his style. Fitzgerald achieved fame during the golden period of jazz music in the 1920s, most notably with The Great Gatsby. Murakami made reference to this work in the Norwegian Wood, the first novel that catapulted him to stardom. Murakami cites musician Miles Davis's ongoing creativity as an inspiration for his work and aspires to generate new ideas from old ones, such as pianist Thelonious Monk's piano performance.] Charlie Parker, Miles Davis, and Thelonious Monk are all jazz legends in the United States.mapquest driving directions
Murakami demonstrates to readers the significant effect jazz music has had on a Japanese author. Thus, jazz music may have influenced American literature as well. Perhaps learning more about jazz can also help you appreciate Murakami's work more deeply? Is it necessary for the translator of Murakami's narrative to be familiar with Jazz music in order to accurately depict Murakami's style? However, while Jazz music has little influence on literature, learning about Jazz, as a distinct cultural element of the United States, is still somewhat intriguing. Before I provide the findings of my inquiry into the effect of jazz music on modern American literature, I'd like to provide a quick overview of Jazz music's evolution in the United States.