But stillness isn't blankness. As both Keaton and Isaac convey, a limited palette can still paint many colours. There is one scene in Inside Llewyn Davis during which Isaac'sBut stillness isn't blankness. As both Keaton and Isaac convey, a limited palette can still paint many colours. There is one scene in Inside Llewyn Davis during which Isaac's sardonic melancholia feels particularly Keatonesque – although the entire sequencearticularly Keatonesque – although the entire sequence

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